“I speak for all Australians in expressing a profound sorrow to the Aboriginal people. I am sorry. We are sorry. Let the world know and understand that it is with this sorrow that we as a nation will grow, and seek a better, a fairer, and a wiser future.”
That was John Howard in a national telecast on the eve of the Sydney Olympics in 2000. Not the one in the Lodge who had refused to offer any such apology, but an actor of the same name reading a script written by John Clarke for a comic TV “documentary” called The Games.
Years later, in the finest moment of his political career, prime minister Kevin Rudd expressed “profound sorrow” to Australia’s Indigenous people in the Australian parliament. But despite its global notoriety for having rounded up Aboriginal inhabitants and shipped them to Flinders Island, Tasmania, or Lutruwita, didn’t rate a mention in that speech.
In December 2016, Will Hodgman’s Liberal government looked like making amends for that omission, backing plans to acknowledge Australia’s frontier wars and honour the world’s oldest living culture.
The founder of Mona, David Walsh, and its creative director Leigh Carmichael teamed up with Aboriginal writer Greg Lehman to produce a plan for a National Truth and Reconciliation Art Park at Macquarie Point.
Walsh said at the time that as one of the “whitefellas treading on blackfella graves” he wanted “to find a way through” the fog of the standard settlement narrative. “It will be easy enough to find fault and to criticise. But we’ve done nothing for far too long, and continuing to do nothing will only make things worse for everybody, invaders and indigenes alike.”
Carmichael said Macquarie Point could be the site of Australia’s first major public acknowledgment for a part of our history “that no one wants to talk about, but ultimately made us who we are”. Lehman said Macquarie Point could be “a catalyst for change… a positive example not just for Australia, but for the world.”
The $240,000 study, funded by the Hodgman government, envisaged an expansive “art park”, plus an information centre and a fire and light installation, celebrating 40,000 years of Tasmanian culture.
Will Hodgman called it “bold and brilliant”. Suggesting that the park could also acknowledge the site’s original wetland habitat, a Mercury reader said that “Macquarie Point can become a place of healing and a beacon of hope for the future.”
Such moments in history need to be seized. Inspired by John Clarke’s sentiment that “we as a nation will grow” by acknowledging past missteps, we might have latched on to a remarkable feature of our past: that long before humans penetrated South America, for 20,000 or so years this island marked the southernmost reach of humankind.
In 2021 things were still ticking over. The Macquarie Point Development Corporation (MPDC) and the Aboriginal community had put together a “co-design group”, and Hodgman’s successor, Peter Gutwein, tabled in parliament a landmark report, “Pathway to Truth-Telling and Treaty”.
But ahead of his April 2022 resignation, Gutwein had also started a push for a Tasmanian AFL team. Visiting AFL executives took a liking to Macquarie Point, and in September 2022 new premier Jeremy Rockliff made a stadium on the point his pet project.
The national truth and reconciliation memorial became an “Aboriginal Culturally Informed Zone”. The co-design group objected that the narrow strip between Davey Street and the stadium proposed for this wouldn’t work, and members quit.
Which is where we are today, as the ground at Macquarie Point is being prepared for the young gods to grace our capital with their occasional winter-time presence. I remain of the view that Macquarie Point is the wrong place for the stadium, but it was parliament’s decision, and it’s done.
This can’t be allowed to rest here. Our island community is duty-bound to fill this yawning gap in its narrative. The project put together by Lehman, Carmichael and Walsh is lost, but we can’t allow their vision to disappear down the cracks, or between Davey Street and the stadium.
Australian football has strong Indigenous connections going back to colonial times if not beyond. Aboriginal athletes, male and female, have brought their culture into the game and enriched it with their sublime skills. There must be ways, more than one, of bringing together this real, living phenomenon and the imperative to get our origin story out there.
Our continuing failure to recognise this island’s ancient Indigenous culture has become a running sore in the Tasmanian community. So too is the stadium. Bringing them together into a single nationally-significant project might be the healing balm we need.