Australia’s master storyteller timed it well. This year of chaotic weather and soaring temperatures – exceeding for the first time science’s safety limit – is also the year of Juice, Tim Winton’s new novel about our overheated Earth.
A recurring thread in Winton’s writing has been the complex relationship between people and nature, including awareness of a changing climate. But this is the first time he has confronted head-on this all-encompassing issue, and it’s been well worth the wait. Juice is a book for the ages.
A year ago Winton described to a Melbourne audience how his old view of writers like himself as “priests of culture” had been changed by the growing climate crisis. In a world “where every decent thing is in danger of being commodified, and all human potential is now in jeopardy”, he now sees an obligation to deliver meaning and beauty to his readers.
Both are present in the book, but they’re hard and harsh, in a fire-scarred Ningaloo landscape a few centuries in the future that’s too hot to sustain much life. Residents of a hamlet and scattered homesteads, forced underground by a scorching summer sun, scrape by on food grown in the still hot winters, and on precious “juice” – energy from sun and wind.
The desolate setting suggests a story that’s tough going, but Juice is classic page-turning Winton, utterly absorbing from start to finish. The nameless protagonist, a weathered, ageing man, is on the run, having lost his family, abandoned his uninhabitable home and taken a child into his care. He meets another fugitive, who at the point of a crossbow forces the pair into an abandoned mineshaft.
Under some duress, the man tells his life story, recounting how his hard life on the land became harder still when he joined a global resistance force tasked with taking revenge on those who had enriched themselves from fossil fuels, now living in luxury in remote fortresses.
As a warrior he gains access to archives that tell the history of preceding centuries. He discovers how the failure of today’s generations – ours – to stop burning gas, oil and coal damned him to a life of sorrow and ashes.
The story moves at a cracking pace through his training and multiple missions to distant parts of the planet, interspersed with the travails of producing food in a deteriorating climate, a tender love story, and the birth of a child.
In public appearances Winton, a professed pacifist, comes across as a gentle soul. But in a podcast for The Monthly a couple of weeks ago he confessed to feeling, over the seven years it took to write the book, a raft of new emotions – “incandescent fury, deep foreboding, sorrow, alarm” – at the damage being wrought by business-as-usual.
With worse to come, says Winton, current trends will render Australia’s top half unliveable within a lifetime. “Where are all these people going to go – white fellas and black fellas alike? They’re going to come to Geelong, and Canberra, and Melbourne. It’s all very well to stand around in parliament and gloat about the fact that you’ve stopped the boats. How are you going to stop the utes?”
Winton is scathing about the response of Australian authority to climate protest, referencing a young Perth mother arrested at her home in front of her children for writing three words in chalk on a public walkway “as if she’s a terrorist… a war criminal will get a better rap than a climate protester.”
Neither the market nor technology will save us, says Winton. What will save us is solidarity, decency, the genius of collective humanity. “Everyone needs to answer the question, whose side are you on – the side of life, or the side of money?”
Winton’s bottom line is this: “We live on a miracle… a world infused with creativity and the miraculous fact of organic life.” Optimism is for him a discipline serving to make life bearable, based on his “determined belief… that the people who were made by the world are essentially good and want to do good”. Hence the book’s surprising, uplifting end.
Winton’s international reputation in general fiction coupled with his powerful voice for the downtrodden, familiar to any reader of his wonderful 1992 novel Cloudstreet and infusing most of his work since, makes Juice a special addition to the growing global cli-fi canon.
CLIMATE signals from the far south are central subjects of a major Antarctic research conference at the University of Tasmania from today, covering research on climate extremes and tipping points in the Antarctic system. See the program here.<https://leishman.eventsair.com/aarc/program>